As somebody with each an expert and private obsession with all issues audio, because the ceremony on the 14th of Might, my LinkedIn feed has been unsurprisingly saturated with content material concerning the ARIAs. The Audio & Radio Trade Awards have historically represented the British radio’s annual alternative to dress up and have a good time one of the best of the radio trade.
Traditionally, this was all simple. The ARIAs was radio’s night time, dominated by the same old suspects: World, Bauer, and the BBC. The classes celebrated stay broadcasting, presenters, and manufacturing.
Nonetheless, one thing attention-grabbing occurred at this 12 months’s ARIAs. Goalhanger Podcasts, the manufacturing powerhouse behind “The Relaxation is…” podcast collection, gained the UK Audio Model of the Yr award, beating out conventional radio choices. Instantly, the trade’s well mannered applause developed a barely strained tone.
Are we new and outdated audio frontiers?
The backlash following the night wasn’t explosive, however on LinkedIn, at the very least, it felt palpable. Some radio veterans grumbled that the ARIAs have been turning into ‘the faux radio awards’, with podcasters and celebrity-driven audio tasks elbowing their method into an area meant for broadcast professionals. The underlying sentiment was: ‘Podcasts have their very own awards – why are they muscling in on ours?’
It’s a truthful query, if considerably territorial. In spite of everything, radio doesn’t obtain illustration on the Podcast awards, so why ought to podcasts come right into a purely radio house. However, the frustration factors to a deeper pressure: radio not owns audio, and that is an uncomfortable truth for the medium.
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A brand new path beneath the bickering
The true debate taking place right here isn’t just about awards eligibility, it’s concerning the fear that radio goes to get replaced by podcasting.
For many years, radio was the dominant audio medium, stay, linear, and communal. But the rise of podcasts, good audio system, and on-demand listening has fragmented the panorama. Audio is not a one-horse race. By together with podcasters, and their new classes ambiguously referring to ‘audio’, the ARIAs have highlighted this shift.
The purists’ resistance isn’t just about defending turf, it’s about preserving a cultural id. Radio has at all times been greater than a format; it’s a stay wire into the nationwide dialog, a companion in a method that pre-recorded podcasts can’t replicate. To see that diluted, even symbolically, looks like a loss.
A greater method ahead: Unity over tribalism
Somewhat than retreating into defensive camps, the trade would profit from a broader, extra inclusive celebration of audio excellence – one the place radio is not the underdog, and podcasting is just not heralded as ‘the longer term’. In a super ecosystem, there’s room for each.
The ARIAs’ minor controversy is a symptom of an even bigger query: What does the audio trade need to be? Bickering serves no one. As an alternative, the sector ought to concentrate on what’s nice about all of audio, sensible storytelling, technical craft, and the ability to attach with audiences in methods no dissimilar to each different medium.
The trade shouldn’t have a look at radio because the previous and podcasting as the longer term. There’s extra energy in what unifies moderately than divides. The earlier the trade embraces that the earlier it could possibly cease squabbling over awards and begin making extra significant audio.
So, like a real audiophile, I’ll spend the afternoon catching up on Desert Island Discs… through Spotify.

